PUBLICATIONS
News
“Archival Listening” (first published in the special issue of ESC “New Sonic Approaches in Literary Studies”) will be re-published in the forthcoming Listening Glossary (Silver Press, 2026).
Special Journal Issues Edited
“Special Issue: New Sonic Approaches in Literary Studies.” Eds. Jason Camlot and Katherine McLeod. ESC: English Studies in Canada, vol. 46 no. 2, 2020 (printed in May 2023). https://muse.jhu.edu/issue/48626
Books/Edited Collections
CanLit Across Media: Unarchiving the Literary Event. Eds. Jason Camlot and Katherine McLeod. McGill-Queen’s University Press, 2019.
Selected Peer-Reviewed Articles and Chapters
“Duende on Tape: Federico García Lorca and Gwendolyn MacEwen’s Recursive Aesthetics in Sound Media.” Co-written with Emily Murphy. Comparative Literature Studies (2026) 63 (2): 276–308. https://doi.org/10.5325/complitstudies.63.2.0276
“The Kitchen Table is Always Where We Are: Podcasting as Feminist Self-Reflexive Practice.” Co-authored with Stacey Copeland and Hannah McGregor. In Podcast Studies: Practice into Theory. Eds. Lori Beckstead and Dario Llinares. Wilfrid Laurier UP, 2025.
“Sounding Digital Humanities.” Future Horizons: Canadian Digital Humanities. Eds. Paul Barrett and Sarah Roger. U of Ottawa P, 2023. 291-314.
“Archival Listening.” ESC: English Studies in Canada, vol. 46 no. 2, 2020 (printed in May 2023), p.325-331. https://doi.org/10.1353/esc.2020.a903565.
“Audible Collections: What Remains of Voices on the Radio.” Collection Thinking: Within and Without Libraries, Archives and Museums. Eds. Jason Camlot, Linda Morra and Martha Langford. Routledge, 2022. 137-153.
“The lissome lady from Spain”: building Canadian modernism and flamenco dance in performance archives.” Co-authored with Emily Christina Murphy. Feminist Modernist Studies, 5:3 (2022), 277-297, DOI: 10.1080/24692921.2022.2143780.
“Pandemic Listening: Critical Annotations on a Podcast Made in Isolation.” Co-written with Jason Camlot. Canadian Literature 245 (2021): 67-87.
“Listening to the Archives of Phyllis Webb.” In Moving Archives. Ed. Linda Morra. Wilfrid Laurier University Press, 2020. 113-131.
“Poetry on TV: Unarchiving Phyllis Webb’s CBC-TV Program Extension (1967).” CanLit Across Media: Unarchiving the Literary Event. Eds. Jason Camlot and Katherine McLeod. McGill-Queen’s University Press, 2019. 72-91.
“Water Music: A Close-Listening to The Blue Roofs of Japan.” The Voice-Handler: The Arts of Robert Bringhurst. Eds. Brent Wood and Mark Dickinson. McGill-Queen’s UP. 2015.
“Radio Poetics: Publishing and Poetry on CBC’s ‘Anthology.’” Public Poetics: Critical Issues in Canadian Poetry and Poetics. Eds. Bart Vautour, Travis Mason, Erin Wunker and Christl Verduyn. Wilfrid Laurier UP. 2015.
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Selected Publications on Adaptation / Drama / Sound / Film
“Clipping the Poetry Series: Selections from the Sir George Williams Poetry Series, 1965–1974.” Co-written with Jason Camlot and Deanna Fong. Jacket2, online, 24 October 2018.
“Filming Music: Adapting Transnational Sound in The English Patient and Fugitive Pieces.” Double-Takes: Intersections between Canadian Literature and Film. Ottawa: U of Ottawa P, 2013. 299-315.
“Choreographic Poetics: Dance Adaptations of Michael Ondaatje’s Writing.” Open Letter: Convergences, Collaborative Expression 15.1 (Fall 2012): 31-57.
“(Un)Covering the Mirror: Performative Reflections in Linda Griffiths’s Alien Creature: A Visitation from Gwendolyn MacEwen and Wendy Lill’s The Occupation of Heather Rose.” Solo Performance: Critical Perspectives on Canadian Theatre in English. Ed. Jenn Stephenson. Toronto: Playwrights Canada P, 2010. 141-154. Republication.
“Canadian Jazz Opera in America.” Canadian Theatre Review 142 (Spring 2010): 94-97.
“‘Oui, let’s scat’: Listening to Multi-Vocality in George Elliott Clarke’s Jazz Opera, Québécité.” Mosaic: A Journal for the Interdisciplinary Study of Literature 42.1 (Spring 2009): 133-150.
“(Un)Covering the Mirror: Performative Reflections in Linda Griffiths’s Alien Creature: A Visitation from Gwendolyn MacEwen and Wendy Lill’s The Occupation of Heather Rose.” Theatre and Autobiography: Writing and Performing Lives in Theory and Practice. Eds. Sherrill Grace and Jerry Wasserman (Talon, 2006). 89-104.
Digital Publications
“Every elegy is the present”: Listening to Muriel Rukeyser.” Muriel Rukeyser: A Living Archive. 12 February 2021.
“An Aural Version of Situated Knowledge: A Conversation with Ellen Waterman.” An interview with Ellen Waterman. SPOKENWEBLOG, 9 October 2020.
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Installations
“Clipping the Poetry Series: Selections from the Sir George Williams Poetry Series, 1965-1974.” [Audio Exhibit] With Deanna Fong and Jason Camlot. Concordia University Webster Library, December-January 2018-2019
Podcast Episodes Produced
“Talking about Talking, ft. jamilah malika, Jessica Karuhanga, & special guest Faith Paré.” Produced by Katherine McLeod. The SpokenWeb Podcast, 3 May 2021.
“How are we listening, now? Signal, Sound, Silence.” Produced by Jason Camlot and Katherine McLeod. The SpokenWeb Podcast. 4 May 2020.
“Stories of SpokenWeb.” Produced by Cheryl Gladu and Katherine McLeod. The SpokenWeb Podcast. 3 October 2019.
Selected episodes of ShortCuts, a monthly series based on archival audio produced for The SpokenWeb Podcast:
“ShortCuts 2.10 Alone Together, ft. archival audio of Tanya Davis.” 19 July 2021.
“ShortCuts 2.9: Situating Sound, ft. archival audio of Dionne Brand.” 21 June 2021.
“ShortCuts 2.8: Contrapuntal Poetics, ft. archival audio of Alexei Perry Cox.” 17 May 2021.
“ShortCuts 2.7: Moving, ft. archival audio of Phyllis Webb.” 19 April 2021.
“ShortCuts 2.6: Listening Together, ft. archival audio of Margaret Avison.” 15 March 2021.
“ShortCuts 2.5: Connections, ft. archival audio of Muriel Rukeyser.” 15 Feb 2021.
“ShortCuts 2.4: You Are Here, ft. archival audio of Muriel Rukeyser.” 18 Jan 2021.
“ShortCuts 2.3: Audible Time, ft. archival audio of Muriel Rukeyser.” 21 Dec 2020.
“ShortCuts 2.2: The Poem Among Us, ft. archival audio of Muriel Rukeyser.” 16 Nov 2020.
“ShortCuts 2.1: Introducing ShortCuts.” 19 Oct 2020.